Secretary (2002) – A Review by Kelwyn Marenwolf

Scene from the movie "Secretary" (2002) with Lee Holloway and E. Edward Grey in an intimate office setting.

“Secretary,” directed by Steven Shainberg, is a captivating exploration of the delicate interplay between dominance and submission, painting an intricate portrait of a D/s relationship that is both unconventional and profoundly romantic. As a long-time practitioner of D/s dynamics, I found this film to be a refreshing and nuanced depiction of the lifestyle, marked by its authenticity and emotional depth.

Lee Holloway and E. Edward Grey in an intimate office setting from "Secretary" (2002).
E. Edward Grey sits in his office, reflecting on his complex emotions in “Secretary” (2002).

The film tells the story of Lee Holloway (Maggie Gyllenhaal), a young woman with a troubled past who finds solace and self-discovery in her role as a secretary for the enigmatic lawyer, E. Edward Grey (James Spader). From the outset, the chemistry between Gyllenhaal and Spader is electric, creating a palpable tension that underscores their evolving power dynamic. Gyllenhaal’s portrayal of Lee is nothing short of extraordinary; she captures the character’s vulnerability and growing strength with a subtlety that is both heart-wrenching and empowering.

Lee Holloway at her desk, looking focused and contemplative in "Secretary" (2002).
Lee Holloway sits at her desk, deep in thought, reflecting the introspective mood of “Secretary” (2002).

What sets “Secretary” apart from other films in the genre is its respectful and realistic portrayal of BDSM. The film does not sensationalize or trivialize the practices involved; instead, it delves into the psychological and emotional aspects of a D/s relationship. Grey’s initial sternness and Lee’s submissive eagerness evolve into a beautifully consensual dance of power and surrender. Their relationship is depicted with a tenderness that highlights the mutual respect and deep connection that can exist within a D/s dynamic.

One of the most compelling aspects of the film is its emphasis on consent and communication. The scene where Lee positions herself on Grey’s desk, waiting for his command, is a powerful illustration of her willing submission and his attentive dominance. This moment, among others, demonstrates the importance of trust and understanding in a healthy BDSM relationship.

E. Edward Grey in his office, looking stern yet contemplative in "Secretary" (2002).
E. Edward Grey sits in his office, reflecting on his complex emotions in “Secretary” (2002).

Moreover, “Secretary” is not just about the eroticism of power exchange; it is a story of personal growth and emotional healing. Lee’s journey from self-harm to self-acceptance is mirrored in her relationship with Grey, who also undergoes a transformation from a rigid, controlled individual to a man capable of vulnerability and love. Their relationship, while unconventional, becomes a source of mutual support and liberation.

The film’s cinematography and soundtrack further enhance its intimate and introspective atmosphere. The use of close-ups and soft lighting creates a sense of closeness and immediacy, drawing the viewer into the characters’ private world. Angelo Badalamenti’s score, with its haunting and melodic tones, perfectly complements the film’s mood, adding to its emotional resonance.

In conclusion, “Secretary” is a beautifully crafted film that offers a sensitive and insightful look into the world of D/s relationships. It is a story of love, trust, and the transformative power of acceptance. For those within the BDSM community, it is a rare gem that portrays our lifestyle with the dignity and respect it deserves. And for those unfamiliar with D/s dynamics, it provides a touching and enlightening glimpse into the complexities and joys of such relationships.

“Secretary” is not just a film; it is a celebration of the myriad ways in which love and intimacy can manifest, and it reminds us that true connection often lies in the places we least expect to find it.

ERP Scenario 1: The Interview

In this scenario, one partner takes on the role of E. Edward Grey, the enigmatic lawyer, while the other partner plays Lee Holloway, the eager and nervous job applicant. The setting is Grey’s office, where the interview quickly shifts from professional to personal.

Setting

Grey’s office, with a large desk, dim lighting, and an atmosphere of tension and anticipation.

Roles

  • Edward Grey: Stern, controlled, and observant. Focused on testing the limits of Lee’s submission.
  • Lee Holloway: Nervous yet eager to please, ready to explore her submissive tendencies under Grey’s guidance.

Scenario

Lee arrives for her interview, and Grey begins with standard questions before shifting to more personal inquiries. He asks Lee to demonstrate her willingness to obey his commands, leading to tasks that test her submission and build sexual tension.

Dialogue Suggestions

  • Grey: “Why do you want to work here, Miss Holloway? Are you willing to follow all my instructions without question?”
  • Lee: “Yes, Mr. Grey. I’m willing to do whatever it takes to prove myself.”

Actions

  • Grey asks Lee to perform tasks like organizing files, each command growing more intimate.
  • Lee follows each instruction, demonstrating her willingness to submit and her growing desire.

ERP Scenario 2: The Desk Scene

In this scenario, one partner plays E. Edward Grey, and the other plays Lee Holloway. The setting is Grey’s office, where Lee positions herself on Grey’s desk, waiting for his command.

Setting

Grey’s office, dimly lit with a soft, intimate glow. The desk is the focal point, with Lee positioned on it, awaiting Grey’s next move.

Roles

  • Edward Grey: Dominant and in control, keenly aware of Lee’s submissive desire.
  • Lee Holloway: Submissive and eager to please, waiting for Grey’s command with a mix of anticipation and arousal.

Scenario

Lee places herself on Grey’s desk, signaling her readiness to submit. Grey takes his time, heightening the tension as he approaches her. He gives her a series of commands, each one designed to test her limits and deepen their connection.

Dialogue Suggestions

  • Grey: “Do you trust me, Lee? Will you do exactly as I say?”
  • Lee: “Yes, Mr. Grey. I trust you completely.”

Actions

  • Grey slowly walks around the desk, observing Lee before giving her specific commands to follow.
  • Lee obeys each command, showing her submission and trust in Grey’s dominance.

ERP Scenario 3: The Emotional Climax

In this scenario, one partner takes on the role of E. Edward Grey, while the other partner plays Lee Holloway. The setting is an intimate, private space where both characters can express their vulnerabilities and deepen their emotional connection.

Setting

A private, dimly lit room with soft lighting, creating an atmosphere of intimacy and trust.

Roles

  • Edward Grey: Initially stern but gradually revealing his vulnerability and deep affection for Lee.
  • Lee Holloway: Open and trusting, showing her strength through her submission and willingness to connect deeply with Grey.

Scenario

Grey and Lee find themselves alone, and Grey finally allows himself to be vulnerable. He opens up about his feelings, and Lee responds with trust and submission, leading to an emotionally charged and intimate encounter.

Dialogue Suggestions

  • Grey: “Lee, I need you to understand how much you mean to me. Your trust and submission mean everything.”
  • Lee: “I trust you, Edward. I’m here for you, always.”

Actions

  • Grey holds Lee gently, expressing his feelings through touch and words, creating a deep emotional bond.
  • Lee responds with submissive actions that show her trust and love, reinforcing their connection.

About Author

Kelwyn Marenwolf

A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects. — Robert Heinlein, Time Enough for Love

Share

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.